EE1
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
compare
  b. 34

Triad in GC (→GE) & EE3

Sixth in FE & EE1 (→EE2)

Our variant suggestion

Finding out which of the two source versions is later does not seem to be possible due to the doubts concerning their authenticity. The triad in GC is written with the copyist's hand, therefore, the version was probably in [A]. A possible copyist's error seems to be highly unlikely here, unless the autograph included a kind of deletions (another possibility is the erroneous introduction of the chord on the 4th quaver in the bar). In turn, the omission of the middle note of the chord, written on the ledger line, is quite a frequent mistake, as in Chopin's autographs, the note heads have a tendency to merge with both the chord's stem and ledger line (cf., e.g., the Etude in G major, Op. 10 No. 5, bar 15). However, if we are to exclude possible mistakes, the version considered to be later should have been the one with the sixth. Therefore, in the main text, we suggest a variant solution.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in FE, EE inaccuracies

notation: Pitch

Go to the music

Original in: National Library of Scotland, Edynburg