EE1
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
compare
  b. 8

a in chord in GC, FE, EE1 (→EE2) & GE2 (→GE3)

No a in chord in GE1 & EE3

Omitting the a note in the 2nd chord could have been Chopin's correction, introduced together with the changes in the Etude in A major, No. 1. The composer could have considered the chord without a as an improvement, due to a slightly clearer sound, while maintaining both the completeness of the harmonic structure and logics of the voice leading. According to us, it is, however, the engraver's oversight that seems to be more likely here, as in this Etude – same as in the remaining ones, except for the first one – there are no other traces of possible Chopin interventions in GE1, while omissions of a clearly written note in the base text are to be found in the first German edition, e.g., in the Etude in A minor, No. 4, bar 37. The version of GE1 was repeated in EE3, whereas in GE2 (→GE3), the four-note version of the base text was introduced (GC).

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions, Errors in GE, Authentic corrections of GE

notation: Pitch

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