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Issues : Annotations in FED
b. 1
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composition: Op. 25 No 8, Etude in D♭ major
category imprint: Differences between sources |
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b. 6
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composition: Op. 25 No 8, Etude in D♭ major
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FE features e category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FED , Annotations in FES |
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b. 9-10
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composition: Op. 25 No 8, Etude in D♭ major
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One can wonder whether the 5th finger written in FES means the same fingering Chopin wrote in FED. In other words, whether the fingering of the d category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES |
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b. 26-27
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composition: Op. 25 No 8, Etude in D♭ major
category imprint: Differences between sources |
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b. 27-28
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composition: Op. 25 No 8, Etude in D♭ major
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Chopin added the fingering of the bottom voice most probably at the time of proofreading FE (also in bars 28 and 29). What draws attention is the fact that the composer considered the fingering of the top voice to be obvious – cf. the Etude in G category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Authentic corrections of FE |