mUltimate Chopin

Op. 25 No 6, Etude in G♯ minor

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Page: 
Source: 
p. 2, b. 11-20
p. 1, b. 1-10
p. 2, b. 11-20
p. 3, b. 21-30
p. 4, b. 31-40
p. 5, b. 41-52
p. 6, b. 53-63
Main text
Main text
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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No differences
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 14-15

No fingering in FC (→GE) & EE1

Fingering in FE

Fingering in EE2 (→EE3)

The fingering of FE, coming undoubtedly from Chopin, was most probably added in the proofreading of this edition. The fingering was then repeated – inaccurately, without the last '5' in bar 14 and '2' in bar 15 – in EE2 (→EE3). It is characteristic that both here and in bars 17-18, Chopin probably considered the fingering of the top voice to be more natural than of the bottom one, since he gave only a few digits over the notes. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Authentic corrections of FE

notation: Fingering

Missing markers on sources: GE1b, FED, FEJ, FES, FE1, FE2, GE1, GE1a, GE2, GE3, FC, EE1, EE2, EE3
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