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p. 1, b. 1-16
p. 1, b. 1-16
p. 2, b. 17-28
p. 3, b. 29-49
p. 4, b. 50-68
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GC - Gutmann's Copy
FE - French edition
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FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 1

Metronome marking with time signature in GC (→GE)

Metronome marking at start of Etude in FE & EE

Placing the metronome indication already at the beginning of the Etude may be a result of the routine interpretation of the engravers of FE and EE who did not see a reason to separate it from the Lento indication. Cf. the Etude in A minor, No. 11, bars 1-5.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in FE, EE inaccuracies

notation: Verbal indications

Missing markers on sources: GC, GE1, EE3, EE1, EE2, GE2, GE3, FE1, FE2, FED, FEJ, FES, GE1a