![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Authentic corrections in GC
b. 7
|
composition: Op. 25 No 7, Etude in C♯ minor
..
The slurring of EE is the original state, corrected by Chopin at the stage of manuscripts only in GC. The accurate sense of this correction is not clear (GE1 interpreted the slurs literally as non-connected), yet Chopin proofreading of FE dissipates the doubts concerning the composer's intention. Cf. analogous bars 50-51. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections in GC |
||||||
b. 12
|
composition: Op. 25 No 7, Etude in C♯ minor
..
It is unclear how the difference in the rhythm in this place was created, however, none of these two versions seems to be erroneous. The notation of EE indicates a possibility of the engraver's error – the b1 semiquaver is placed closer to the bar line than the g category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Authentic corrections in GC , Dotted or even rhythm |
||||||
b. 25
|
composition: Op. 25 No 7, Etude in C♯ minor
..
For the last four quavers of the bottom voice we adopt the version of FE and EE1 (→EE2), as being probably the latest. An accurate analysis of the sources reveals traces of double change of Chopin's decision: category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes , Authentic corrections of FE , Authentic corrections in GC |
||||||
b. 26
|
composition: Op. 25 No 7, Etude in C♯ minor
..
In GC (→GE) Chopin wrote here a g category imprint: Differences between sources; Corrections & alterations issues: Main-line changes , Authentic corrections in GC |
||||||
b. 28
|
composition: Op. 25 No 7, Etude in C♯ minor
..
Chopin may have added the pedalling of this bar in all Stichvorlage manuscripts (certainly in GC, in which Chopin's hand is easily recognisable). However, he did not coordinate his entries – hence the differences between the sources. In the main text we give the most accurate indications of FE. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , EE inaccuracies , Authentic corrections in GC |