Pitch
b. 1
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composition: Op. 25 No 7, Etude in C♯ minor
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In GC (→GE1) and EE there is no returning f at the beginning of the 2nd group of semiquavers of the introduction, which almost certainly corresponds to the notation of [A]. It is a very typical mistake of Chopin – cf., e.g., the Nocturne in Cminor, Op. 27 No. 1, bar 83, or the Impromptu in A major, Op. 29, bar 71. The sign was added in the proofreading of FE, most probably by Chopin, as well as in GE2 (→GE3). category imprint: Interpretations within context; Differences between sources issues: Errors in EE , Omissions to cancel alteration , Errors in GE , GE revisions , Authentic corrections of FE |
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b. 1
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composition: Op. 25 No 7, Etude in C♯ minor category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 3
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composition: Op. 25 No 7, Etude in C♯ minor
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category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 12
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composition: Op. 25 No 7, Etude in C♯ minor
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All sources, except for GE2 (→GE3), include an additional before c1 in the bottom voice. It can be a remnant of the hypothetical original notation, in which the two previous thirds were written as c1-e1. Following the second German edition, we do not consider this superfluous sign in the main text. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 15
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composition: Op. 25 No 7, Etude in C♯ minor category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of GC |