Issues : Annotations in FES
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b. 1-3
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composition: Op. 25 No 7, Etude in C♯ minor
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The pedalling of FES is written with a hand of a pupil, yet one can believe that it corresponds to the indications coming from Chopin. Similarly in bar 5. category imprint: Differences between sources |
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b. 5
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composition: Op. 25 No 7, Etude in C♯ minor
category imprint: Differences between sources |
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b. 8
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composition: Op. 25 No 7, Etude in C♯ minor
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In fact, the numerals written into FED and FES can be treated jointly, yet, most probably, they indicate different fingering of the first five semiquavers: category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Differences in fingering , Annotations in FES |
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b. 11-12
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composition: Op. 25 No 7, Etude in C♯ minor
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The fingering is written with the pupil's hand, most probably in the place of the less legible, pencilled fingering written by Chopin (cf. bars 13 and 14). category imprint: Differences between sources |
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b. 13
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composition: Op. 25 No 7, Etude in C♯ minor
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The fingering of FES is written with the hand of the pupil, with ink, on the slightly visible, pencilled numerals written by Chopin (cf., bar 14). Chopin wrote the same indications in FED. The fingering added in EE2 (→EE3), in spite of being compatible with the Chopin one, is undoubtedly an addition of the reviser. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FES |
