Page: 
Source: 
p. 6, b. 53-63
p. 1, b. 1-10
p. 2, b. 11-20
p. 3, b. 21-30
p. 4, b. 31-40
p. 5, b. 41-52
p. 6, b. 53-63
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 61

 in FC (→GE) & EE

sotto voce in FE

The sotto voce indication, present in FE, is the original version. In FC (→GE), Chopin deleted it and introduced . He introduced a similar correction most probably also in the base text to EE.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Authentic corrections of FC

notation: Verbal indications

Missing markers on sources: GE1b, FED, FEJ, FES, FE1, FE2, GE1, GE1a, GE2, GE3, FC, EE1, EE2, EE3