Verbal indications
b. 1
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composition: Op. 25 No 6, Etude in G♯ minor
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In the main text we give the title and dedication after the title page of the entire opus in FC and FE. category imprint: Differences between sources issues: EE revisions , Dedications , GE revisions |
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b. 31
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composition: Op. 25 No 6, Etude in G♯ minor
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It is highly likely that Chopin added at the time of proofreading FE (or introducing last corrections to the base text, probably [A]). All changes, certainly or highly likely introduced into FE at the transition between bars 30-31 – rhythmic notation of the last quaver in bar 30, omission of the tie of b1 and pedalling and in bar 31 – may be considered as related. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 47
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composition: Op. 25 No 6, Etude in G♯ minor
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According to us, the authenticity of does not raise any doubts. In turn, in FC (→GE) may be a result of an inaccurate interpretation of [A] by the copyist – the 'f' and 'z' letters from some of Chopin merge in such a way that they can be considered as one 'f' letter, i.e. (see the Etude in E major, Op. 10 No. 11, bar 25 or 50). category imprint: Differences between sources issues: fz – f |
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b. 53
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composition: Op. 25 No 6, Etude in G♯ minor
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The missing in FC (→GE) may be explained with an oversight of the copyist or inadvertence of Chopin, if he added this indication in the already finished Stichvorlage manuscripts. category imprint: Differences between sources issues: Errors of FC |
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b. 61
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composition: Op. 25 No 6, Etude in G♯ minor
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The sotto voce indication, present in FE, is the original version. In FC (→GE), Chopin deleted it and introduced . He introduced a similar correction most probably also in the base text to EE. category imprint: Differences between sources issues: Authentic corrections of FC |