Issues : Authentic corrections of FE
b. 31
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composition: Op. 25 No 6, Etude in G♯ minor
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Cautionary naturals before b1 and b2 in the last pair of semiquavers are only in FE and GE2 (→GE3). In EE, the is only in the L.H. category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 31
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composition: Op. 25 No 6, Etude in G♯ minor
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It is highly likely that Chopin added at the time of proofreading FE (or introducing last corrections to the base text, probably [A]). All changes, certainly or highly likely introduced into FE at the transition between bars 30-31 – rhythmic notation of the last quaver in bar 30, omission of the tie of b1 and pedalling and in bar 31 – may be considered as related. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 37-38
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composition: Op. 25 No 6, Etude in G♯ minor
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The fingering was added by Chopin most probably in the proofreading of FE. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 40
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composition: Op. 25 No 6, Etude in G♯ minor
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The fingering in this and the next bar was added by Chopin most probably in the proofreading of FE. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 41
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composition: Op. 25 No 6, Etude in G♯ minor
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The fingering was added by Chopin most probably in the proofreading of FE. category imprint: Differences between sources issues: Authentic corrections of FE |