mUltimate Chopin

Op. 25 No 6, Etude in G♯ minor

Text Compare Notes Sources Description

Issues : Authentic corrections of FE

b. 31

composition: Op. 25 No 6, Etude in G♯ minor

..

Cautionary naturals before b1 and b2 in the last pair of semiquavers are only in FE and GE2 (→GE3). In EE, the  is only in the L.H.

category imprint: Differences between sources

issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE

b. 31

composition: Op. 25 No 6, Etude in G♯ minor

No marking in FC (→GE) & EE

in FE
..

It is highly likely that Chopin added  at the time of proofreading FE (or introducing last corrections to the base text, probably [A]). All changes, certainly or highly likely introduced into FE at the transition between bars 30-31 – rhythmic notation of the last quaver in bar 30, omission of the tie of b1 and pedalling and  in bar 31 – may be considered as related.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 37-38

composition: Op. 25 No 6, Etude in G♯ minor

No fingering in FC (→GE) & EE

Fingering in FE
..

The fingering was added by Chopin most probably in the proofreading of FE.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 40

composition: Op. 25 No 6, Etude in G♯ minor

No fingering in FC (→GE) & EE

Fingering in FE
..

The fingering in this and the next bar was added by Chopin most probably in the proofreading of FE.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 41

composition: Op. 25 No 6, Etude in G♯ minor

No fingering in FC (→GE) & EE

Fingering in FE
..

The fingering was added by Chopin most probably in the proofreading of FE.

category imprint: Differences between sources

issues: Authentic corrections of FE