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b. 4
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composition: Op. 25 No 6, Etude in G♯ minor
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The fingering under the first three semiquavers in the bar was added by Chopin most probably at the time of proofreading FE. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 4
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composition: Op. 25 No 6, Etude in G♯ minor
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Chopin added the fingering digit over the last semiquaver probably in the proofreading of FE. The same digit added in EE2 (→EE3) is most probably an editorial revision, introduced probably on the basis of FE. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 4-9
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composition: Op. 25 No 6, Etude in G♯ minor
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In the main text we give the slurs of the L.H. at the transition between bars 4-5 and 8-9, in spite of the fact that they are absent in the sources which may convey Chopin's notation (FC, FE and EE1). Comparison with analogous places in the further section of the Etude proves that it is most probably an inaccuracy of notation. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 4
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composition: Op. 25 No 6, Etude in G♯ minor
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In front of a category imprint: Editorial revisions; Source & stylistic information |
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b. 5
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composition: Op. 25 No 6, Etude in G♯ minor
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In FE (→GE1) the last two semiquavers in these bars were erroneously copied from the next group (the 3rd and 4th semiquaver in bar 6). The mistake was corrected in GE2 (→GE3). category imprint: Differences between sources issues: Errors in GE , GE revisions , Errors of FC |
1, the bottom note of the 4th third, all sources include 
. The sign is totally unjustified in this place (we omit it in the main text), however, it reveals Chopin's doubt, as far as the notation of the a/a