EE1
Main text
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
compare
  b. 21-22

No fingering in FC (→GE) & EE1

Fingering in FE & EE2 (→EE3)

These bars, being an exact repetition of bars 5-6, have no fingering in FC (→GE) and base text to EE (→EE1). It was most probably also the case of the base text to FE, as only at the time of proofreading this edition, Chopin added certain indications. They refer to the exact indications from bars 5-6 and 9-10, resembling less typical situations, related to the arrangement of two neighbouring white keys. Therefore, one can conclude that the composer considered the alternate use of 1-2 fingers (in the bottom voice) and 4-3 (in the top) to be typical for the successions of white and black keys, hence not requiring reminder. The fingering was repeated also in EE2 (→EE3).

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, Authentic corrections of FE

notation: Fingering

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