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Issues : Authentic corrections of FE
b. 8
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composition: Op. 25 No 5, Etude in E minor
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The version of FE (a chord with f category imprint: Differences between sources; Corrections & alterations |
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b. 35-36
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composition: Op. 25 No 5, Etude in E minor
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In the main text we give the notation modelled on FE as most probably the latest and most consistent – the accents, minims and pedalling specify the way of performance accordingly. The remaining sources prove that Chopin tried to mark the possibility of separating the tenor voice in different ways. In the version of EE it is the original form of the 1st chord (with a), mistake in pedalling and placing accents on the wrong side that draw the attention. The notation of FC is inconsistent (an accent over f category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Long accents , Inaccuracies in GE , Errors in EE , GE revisions , Authentic corrections of FE |
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b. 51
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composition: Op. 25 No 5, Etude in E minor
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The fact of extending the sound of the f category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 57-58
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composition: Op. 25 No 5, Etude in E minor
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The pedalling indications, appearing only in FE, could have been added in the proofreading of this edition. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 58-60
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composition: Op. 25 No 5, Etude in E minor
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The bottom voice, separated only in FE, was most probably added by Chopin in the proofreading of this edition. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |