Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 5, Etude in E minor
It is difficult to decide how the difference in the rhythmic value of the e note occurred. The minim in FE can be the last element of separation of the bottom voice in the R.H. in bars 58-60 and due to this fact, we give it in the main text. However, one cannot entirely exclude an error of the engraver who could have relied on the minim note heads of the L.H.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Rhythm
