Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 5, Etude in E minor
On the 3rd beat of the bar in FC, one can see a correction – the b and b1 notes were added after a
and a1 had been erased. According to us, it is Fontana's autocorrection, who, at first, repeated the harmonic scheme of the previous bars.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Errors of FC
notation: Pitch