Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 25 No 5, Etude in E minor
The version without c
1 in the last chord is probably a result of misinterpretation of [A]. There is no reason, neither sound nor piano, which would justify the distortion of regularity of the harmonic progression in this place. Moreover, the slurs over the pairs of chords in bars 73-76 also prove a slightly more accurate development of the text of FE in this fragment.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Uncertain notes on ledger lines
notation: Pitch
