Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 5, Etude in E minor
The E minim is not extended with a dot in any of the sources. In analogous bar 86 one of the sources – FE – features a dotted minim, so one can ponder which of the values is correct. If we were to consider the authentic pedalling, ensuring that the note sounds throughout the entire bar, it would turn out that the choice of a rhythmic value is of the ideational meaning only. Therefore, we do not intervene in the source text and we adopt this version in the main text also in bar 86. In GE, the allegedly missing rhythmic value of the bottom voice was arbitrarily completed with a crotchet rest (cf. bars 49-57). The addition was repeated in EE3.
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions, GE revisions
notation: Rhythm
