mUltimate Chopin

Op. 25 No 4, Etude in A minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 2, b. 17-32
p. 1, b. 1-16
p. 2, b. 17-32
p. 3, b. 33-48
p. 4, b. 49-65
Main text
Main text
A - Autograph
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
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Differences
No differences
A - Autograph
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 31

 in A (→FE,FC→GE)

 in EE

It is hard to state whether  in EE is an authentic indication. Anyways,  in the remaining sources seems to be more adequate, if only due to analogy with bar 17.

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Verbal indications

Missing markers on sources: FC, A, EE1, EE2, EE3, FE1, FE2, GE3, FED, FEJ, FES, GE1, GE1a, GE2, GE1b
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