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b. 21-23
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composition: Op. 25 No 4, Etude in A minor
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In A (→FE) in three subsequent bars, Chopin did not use the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 22
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composition: Op. 25 No 4, Etude in A minor category imprint: Differences between sources issues: GE revisions |
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b. 23-26
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composition: Op. 25 No 4, Etude in A minor
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In A (→FE) there are no flats before the e category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A |
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b. 25-26
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composition: Op. 25 No 4, Etude in A minor
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Lack of pedalling in A (→FE) is one of the examples of an incomplete coordination of corrections and additions introduced by Chopin in three Stichvorlage manuscripts. category imprint: Differences between sources issues: Authentic corrections of FC |
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b. 25-26
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composition: Op. 25 No 4, Etude in A minor
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In A (→FE) there are no wedges in the L.H. in the 2nd half of bar 25 and in bar 26 (as well as in bar 38). This patent inaccuracy was completed in FC (→GE) and EE. In turn, FE overlooked two signs more, on the 3rd and 4th quaver in bar 25. category imprint: Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A |