Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 25 No 4, Etude in A minor
The E note, written in A as the 3rd quaver of the bar, was changed by Chopin to C in the remaining two Stichvorlage editions and proofreading of FE. Chopin performed a similar correction, which allowed to avoid parallel octaves between the extreme voices, in the Etude in A
major, Op. 25 No. 1, bar 21.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
issues: Authentic corrections of FE, Authentic corrections of EE, Authentic corrections of FC
notation: Pitch
