Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 4, Etude in A minor
Same as in bars 9-10, Chopin added here two signs. This time, however, he did it only in FC (→GE). Generally, in bars 39-52 Chopin added the highest number of dynamic signs in FC (in bars 39-42, 44-50 and 52-53). EE has them only in bars 41-42 and 49, while A only in bars 44-45.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
issues: Authentic corrections of FC
notation: Articulation, Accents, Hairpins