Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 25 No 4, Etude in A minor
EE1
compare
Main text
A
- Autograph
FC
- Fontana's Copy
FE
- French edition
FE1
- First French edition
FE2
- Corrected reprint of FE1
FED
- Dubois copy
FEJ
- Jędrzejewicz copy
FES
- Stirling copy
GE
- German edition
GE1
- First German edition
GE1a
- Corrected reprint of GE1
GE1b
- Flawed impression of GE1
GE2
- Second German edition
GE3
- Revised impression of GE2
EE
- English edition
EE1
- First English edition
EE2
- Corrected reprint of EE1
EE3
- Revised impression of EE2
It is hard to state whether 
in EE is an authentic indication. Anyways, 
in the remaining sources seems to be more adequate, if only due to analogy with bar 17.
Compare the passage in the sources »
category imprint: Differences between sources
notation: Verbal indications
