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Issues : Authentic corrections of FE
b. 17-19
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composition: Op. 25 No 3, Etude in F major
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Both category imprint: Differences between sources issues: No initial dynamic marking , Authentic corrections of FE |
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b. 21
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composition: Op. 25 No 3, Etude in F major
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The category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 51
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composition: Op. 25 No 3, Etude in F major
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The version of FE with d is a result of Chopin's proofreading – there are visible traces of correction in print. It cannot be excluded that the version with c was originally present also in bars 3 and 11, where Chopin corrected it in [A]. It would be then a case of overlooking one place while proofreading a few analogous bars (quite a frequent phenomenon in Chopin's pieces). Both changes in later GE are revisions – in GE2 this figure was assimilated to analogous bars 3 and 11; GE3 returns to the version of the base text, i.e. GC. category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE |
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b. 61-63
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composition: Op. 25 No 3, Etude in F major
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The cautionary naturals before the last note in the L.H. in bars 61 and 63 (c1 and c) appear in FE, GE and EE3, yet only in FE one can suspect Chopin's proofreading. category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 66-68
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composition: Op. 25 No 3, Etude in F major
category imprint: Differences between sources issues: Authentic corrections of FE |