Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 3, Etude in F major
Similarly as in bars 20-24, in the notation of [A] – for the notation of the autograph we consider the compatible version of GC and FE – seven necessary accidentals (naturals) are missing, which, however, does not impede the correct interpretation of the text. In EE1 (→EE2), the notation is already more accurate (in relation to GC and FE 2 signs were added, in the R.H. in bar 41), while the next 3 naturals were added in EE3. GE has the correct version, yet in GE1 there are no signs in the 2nd group in bar 43, which, from the graphical point of view, is the same as the previous one (repeating the signs in such situation is a question of convention).
An inaccurate notation is also present in two subsequent bars.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Accidentals in different octaves, Inaccuracies in FE, GE revisions, EE inaccuracies, Inaccuracies in GC
notation: Pitch