Page: 
Source: 
p. 4, b. 51-69
p. 1, b. 1-14
p. 2, b. 15-32
p. 3, b. 33-50
p. 4, b. 51-69
Main text
Main text
AT - Autograph of a fragment
AW - Presentation Autograph
CDP - Copy for Delfina Potocka
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
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AT - Autograph of a fragment
AW - Presentation Autograph
CDP - Copy for Delfina Potocka
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 66-68

No markings in AW

2 pedals in CDP & EE

3 pedals in GC (→GE) & FE 

Initially, in AW, the bars were devoid of pedalling marks. Chopin would then add them in two stages: the signs in bars 66 and 68, written in [A], were copied in all derivative sources, while the pedalling in bar 67 was added by Chopin in GC (→GE) and added either in the base text to FE or in the proofreading of this edition.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections in GC

notation: Pedalling

Missing markers on sources: AT, AW, CDP, GC, FE1, FES, FED, FEJ, FE2, GE1, GE1a, GE2, GE3, EE1, EE2, EE3, GE1b