mUltimate Chopin

Op. 25 No 2, Etude in F minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 1, b. 1-14
p. 1, b. 1-14
p. 2, b. 15-32
p. 3, b. 33-50
p. 4, b. 51-69
Main text
Main text
AT - Autograph of a fragment
AW - Presentation Autograph
CDP - Copy for Delfina Potocka
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AT - Autograph of a fragment
AW - Presentation Autograph
CDP - Copy for Delfina Potocka
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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copy link Main text

  b. 14

 in AW

No sign in CDP, GC (→GE) & EE1 (→EE2)

 in FE

 in EE3

The  hairpins (and corresponding  in bar 15) were probably added by Chopin in a proofreading of FE. The sign in EE3, despite being generally compatible with authentic indications of AW and FE, is undoubtedly an addition of revision.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Authentic corrections of FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: AT, AW, CDP, GC, FE1, FES, FED, FEJ, FE2, GE1, GE1a, GE2, GE3, EE1, EE2, EE3, GE1b
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