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Issues : Chopin's hesitations
b. 1
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composition: Op. 25 No 2, Etude in F minor
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The version of CDP may be a mistake – the copyist could have, e.g., misinterpret the extension of the phrase slur in [A]. However, it cannot be excluded that it is an authentic version, as the slur could have been included in [A], where Chopin deleted it afterwards. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations |
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b. 3-4
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composition: Op. 25 No 2, Etude in F minor
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In practice, the differences in the range of the dynamic hairpins, in spite of being quite significant, are of minimal influence on the interpretation of these signs. Lack of hairpins in AW may be a proof of Chopin's inadvertence rather than hesitation. category imprint: Differences between sources issues: Chopin's hesitations |
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b. 3
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composition: Op. 25 No 2, Etude in F minor
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Chopin hesitated whether to put cautionary flats before d category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Cautionary accidentals , Deletions in A , Last key signature sign |
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b. 62
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composition: Op. 25 No 2, Etude in F minor
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AW reveals Chopin's hesitation, as far as the pitch of the 2nd crotchet is concerned: next to the eventually left c2 note, one can see the previously deleted both a category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Deletions in A |
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b. 63
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composition: Op. 25 No 2, Etude in F minor
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In AW the first crotchet was originally an a2, which Chopin changed to b category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Enharmonic corrections |