Issues : Inaccuracies in GE
b. 12-13
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composition: Op. 25 No 2, Etude in F minor
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It is unclear whether according to Chopin diminuendo in these bars was supposed to be divided in two sections or not. In GC and CDP, bar 13 opens a new line of the text, hence it was most probably the same in [A]. In such a situation, two subsequent or signs were treated as equal to one, longer hairpins in Chopin's times. As two out of three sources based probably on [A] (GC and EE or FE) have divided signs and only one (CDP) – combined, in the main text we adopt the first notation. category imprint: Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins , Hairpins denoting continuation |
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b. 54-55
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composition: Op. 25 No 2, Etude in F minor
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It is unclear, which length of corresponded to the last Chopin's intention. Compatibility of AW and GC (→GE, inaccurately) suggests that GC may include an earlier version, changed by Chopin in the remaining Stichvorlage manuscripts. However, the presence of the longer sign in CDP, generally compatible with FE (and to a lesser extent with EE) denies this interpretation. Perhaps the concurrence of AW and GC is accidental and the sign could have been inaccurately copied by Gutmann. category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in GE |