Issues : Authentic corrections in GC
- « Previous
- 1
- 2
- 3
- 4
- Next »
b. 39-40
|
composition: Op. 25 No 2, Etude in F minor
..
While writing [A], Chopin put here poco a poco cresc., same as in bars 36-37. The indication was copied to CDP, as well as to GC, in which Chopin, however, deleted it and replaced with cre – scen – do only. He had to introduce an identical change also in the base texts to FE and EE, which obliges us to assume this correction to be final. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |
||||||||
b. 39-40
|
composition: Op. 25 No 2, Etude in F minor
..
Same as in bars 16-17 and 35-36, in the main text we give the pedalling of FE, which may be a result of Chopin's proofreading. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections in GC |
||||||||
b. 41-42
|
composition: Op. 25 No 2, Etude in F minor
..
Same as in bars 37-38, Chopin added the pedalling while developing the manuscripts dedicated for base texts to editions. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |
||||||||
b. 43-45
|
composition: Op. 25 No 2, Etude in F minor
..
Differences in dynamic indications in bars 43 and 45 (as well as earlier in bars 36-37 and 39-40) show an evolution of Chopin's concept from the devoid of major contrasts version of AW to the published one, reaching an evident climax. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |
||||||||
b. 66-68
|
composition: Op. 25 No 2, Etude in F minor
..
Initially, in AW, the bars were devoid of pedalling marks. Chopin would then add them in two stages: the signs in bars 66 and 68, written in [A], were copied in all derivative sources, while the pedalling in bar 67 was added by Chopin in GC (→GE) and added either in the base text to FE or in the proofreading of this edition. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections in GC |
- « Previous
- 1
- 2
- 3
- 4
- Next »