Page: 
Source: 
p. 3, b. 19-28
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
Main text
Main text
AI - Earlier autograph
A - Autograph
CDP - Copy for Delfina Potocka
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
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Differences
No differences
AI - Earlier autograph
A - Autograph
CDP - Copy for Delfina Potocka
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 19-28

In these bars Chopin still uses abbreviated notation of the repeating figures (cf. bars 1-8 and 9-18) in all three manuscripts – AI, A and CDP. The number of repetition signs, which in this fragment have already the "Chopin" // form (see also bars 26-27), is still the highest in CDP.

In bar 19, we consider the notation of A to be inaccurate – see the note to this bar.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Abbreviated notation of A

notation: Shorthand & other

Missing markers on sources: AI, A, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3, CDP, GE1b