mUltimate Chopin

Op. 25 No 1, Etude in A♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 1, b. 1-8
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
Main text
Main text
AI - Earlier autograph
A - Autograph
CDP - Copy for Delfina Potocka
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Select notes: 
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Graphic ambiguousness
Interpretations within context
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Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
AI - Earlier autograph
A - Autograph
CDP - Copy for Delfina Potocka
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Important
Main
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  b. 1

No anacrusis in AI

Anacrusis in A (→CDP,GE), FE & EE

Lack of upbeat in AI is characteristic for the original versions – cf., e.g., the autograph of the first edition of the Mazurka in A major, Op. 7 No. 4 or the album autograph of the initial theme of the Nocturne in F minor, Op. 55 No. 1. 

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Main-line changes, Changed phrase length

notation: Rhythm

Missing markers on sources: AI, A, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3, CDP, GE1b
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