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Issues : Inaccuracies in GE
b. 1-2
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composition: Op. 25 No 1, Etude in A♭ major
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The long accent under f2 at the beginning of bar 2 in #AW is the original concept of dynamic markings in these bars. In A one can see that Chopin rejected the accent (placed above this note) in favour of a pair of category imprint: Differences between sources; Corrections & alterations issues: Long accents , Inaccuracies in GE , GE revisions , Deletions in A |
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b. 3
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composition: Op. 25 No 1, Etude in A♭ major
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Chopin added the dynamic indication in this bar only at the time of preparing the Etude for print. Initially, he provided the f2 note with an accent (as in bar 2), yet eventually he chose a pair of category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in GE , Deletions in A |
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b. 7-8
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composition: Op. 25 No 1, Etude in A♭ major
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It is unclear on which ground GE embraces these bars with one slur. According to us, it is a result of misunderstanding A. One slur is, however, also present in FE and EE, hence this version may be considered as an equally valid alternative to two slurs written in AI and A. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 10-11
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composition: Op. 25 No 1, Etude in A♭ major
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The category imprint: Differences between sources issues: Inaccuracies in GE , Unclear hairpins in A , Inaccuracies in A |
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b. 14
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composition: Op. 25 No 1, Etude in A♭ major
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In the main text we determine the range of category imprint: Differences between sources issues: Inaccuracies in GE |