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Issues : Authentic corrections of GE
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b. 21
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composition: Op. 25 No 1, Etude in A♭ major
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The third group of semiquavers in the L.H. was changed by Chopin twice (cf. the note concerning the R.H.), hence it appears in the sources in three various versions. In the main text we give the latest of them, introduced in FE and in a proofreading of GE1a (→GE2→GE3). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of GE |
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b. 25
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composition: Op. 25 No 1, Etude in A♭ major
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The flats lowering A and a1 to A category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Authentic corrections of GE |
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b. 34
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composition: Op. 25 No 1, Etude in A♭ major
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The version of GE1, in which the last figure in bar 34 was adjusted to the rhythmic scheme valid from bar 32 and used also in bar 29 (after corrections) and in the 2nd half of bar 21 (also after corrections), seems to be a result of another Chopin remake. The conclusion is reinforced by lack of reasonable alternative explanation for the creation of this version – there is no reason to commit a mistake here or to introduce a revision which would interfere with the faultlessly and clearly written text of A. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE |
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