Issues : Long accents
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b. 28
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composition: Op. 25 No 1, Etude in A♭ major
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The hairpins must have been written in this form by Chopin in the base texts to FE and EE. The long accent in AI is certainly the original version of the dynamic indications – cf., e.g., bars 1-2. category imprint: Differences between sources issues: Long accents , Authentic corrections of FE , Authentic corrections of EE |
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b. 29
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composition: Op. 25 No 1, Etude in A♭ major
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The earlier version of AI enables to observe the changes in the dynamics and accentuation of this bar – Chopin moved the accent from the first to the 4th beat of the bar and added in the 1st half of the bar. The sign of accent in A, written inaccurately, was undoubtedly erroneously reproduced in GE1, which was only partially corrected in GE2 (→GE3). The interpretation adopted in the main text is confirmed by the signs in FE and EE. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Long accents , GE revisions |
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