Issues : Authentic corrections of GE
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b. 17-18
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composition: Op. 25 No 1, Etude in A♭ major
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The differing abbreviated notation of AI and A could suggest that in the latter all four E notes are supposed to have normal ("big") note heads. According to us, the notation of A, despite being simplified, is to be, however, interpreted in accordance with AI – in A we see the same abbreviation also in bar 36, in which the distinction of only the first A is beyond any doubt. Similarly in bar 19. In GE1 (→GE1a), the first F in bar 18 is written as a small note. The mistake was corrected in GE2 (→GE3). category imprint: Interpretations within context; Differences between sources |
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b. 19
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composition: Op. 25 No 1, Etude in A♭ major
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The difference between the abbreviated notations of AI (repetition signs for 2 last figures) and A (signs for all 3 last figures) could suggest that in the latter all four G notes are supposed to have normal ("big") note heads. According to us, the notation of A is to be interpreted as a simplified version of the notation of AI, which is also confirmed by FE and EE. category imprint: Interpretations within context; Differences between sources issues: Authentic corrections of GE , Inaccuracies in A |
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b. 19-20
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composition: Op. 25 No 1, Etude in A♭ major
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In the main text we give the version of A, confirmed by FE and most probably by Chopin proofreading of GE1a (→GE2→GE3). The notation of GE1 is erroneous, while AI and EE1 include the original concept of separating the tenor voice only in the part creating a descending melodic line. The versions of CDP and EE2 (→EE3) are certainly non-authentic. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE |
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b. 21
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composition: Op. 25 No 1, Etude in A♭ major
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The version of the 1st half of the bar, written in AI, A (→CDP,GE1) and EE is undoubtedly earlier. Chopin introduced the final version in proofreadings of FE and GE1a (→GE2), probably in order to avoid parallel octaves at the transition from the previous bar (cf. the commentary to the Etude in A minor, Op. 25 No. 4, bar 60). GE3 arbitrarily reinstates the version of A. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of GE |
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b. 21
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composition: Op. 25 No 1, Etude in A♭ major
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Chopin changed the lowest note of the 3rd sextuplet in the R.H. twice:
category imprint: Differences between sources; Corrections & alterations |
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