Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 25 No 1, Etude in A♭ major
In AI there are no pedalling marks in these bars. The absence of 
cancelling the pedal taken at the beginning of bar 44 is not surprising in the original, shorter version of the ending (see another note to bars 48-49). Holding the pedal until the end of the piece is, however, possible also after considering the ending written in AI, so that the absence of indications in this autograph does not have to be considered as an oversight.
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
issues: No pedal release mark
notation: Pedalling