Page: 
Source: 
p. 9, b. 140-159
p. 1, b. 1-17
p. 2, b. 18-33
p. 3, b. 34-52
p. 4, b. 53-68
p. 5, b. 69-88
p. 6, b. 89-108
p. 7, b. 109-124
p. 8, b. 125-139
p. 9, b. 140-159
p. 10, b. 160-175
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Graphic ambiguousness
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Articulation, Accents, Hairpins
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 141

As in bar 37 A has no accidentals before the first quaver. The sharps necessary to indicate notes cc1c2 were not written by Chopin until the last semiquaver in the bar, and only in the R.H. The editions filled in the essential signs and GE2 (→GE3GE4) and EE2 added an extra  before c at the end of the bar.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions, GE revisions, Omission of current key accidentals, FE revisions

notation: Pitch

Missing markers on sources: A, FEJ, EE1, EE2