Page: 
Source: 
p. 3, b. 34-52
p. 1, b. 1-17
p. 2, b. 18-33
p. 3, b. 34-52
p. 4, b. 53-68
p. 5, b. 69-88
p. 6, b. 89-108
p. 7, b. 109-124
p. 8, b. 125-139
p. 9, b. 140-159
p. 10, b. 160-175
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 37

A has no accidentals before the first quaver. Sharps necessary to indicate notes cc1c2 were not written by Chopin until the last semiquaver, and only in the R.H. (the same pertains to bar 141, which is a repetition of bar 37). The editions filled in the essential signs (some or all):

  • FE added naturals next to the first R.H. octave;
  • GE and EE added all three essential naturals;
  • GE2 (→GE3GE4) and EE2 added an extra  before c at the end of bar.

In the main text we leave only naturals at the beginning of the bar.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, GE revisions, Omission of current key accidentals, Errors of A, FE revisions

notation: Pitch

Missing markers on sources: A, FEJ, EE1, EE2