mUltimate Chopin

Op. 26 No 2, Polonaise in E♭ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 10, b. 160-175
p. 1, b. 1-17
p. 2, b. 18-33
p. 3, b. 34-52
p. 4, b. 53-68
p. 5, b. 69-88
p. 6, b. 89-108
p. 7, b. 109-124
p. 8, b. 125-139
p. 9, b. 140-159
p. 10, b. 160-175
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Graphic ambiguousness
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Pitch
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 170-171

 in bars 170-171 in A

 in bar 171 in FE (→GE,EE)

The shift of  hairpins so that they fit in bar 171 is certainly a result of an inaccurate reproduction of A, in which the sign starts clearly at the end of bar 170. It does not seem that the difference could be ascribed a genuine influence on the performance.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in GE, Inaccuracies in FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FEJ
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