Page: 
Source: 
p. 5, b. 69-88
p. 1, b. 1-17
p. 2, b. 18-33
p. 3, b. 34-52
p. 4, b. 53-68
p. 5, b. 69-88
p. 6, b. 89-108
p. 7, b. 109-124
p. 8, b. 125-139
p. 9, b. 140-159
p. 10, b. 160-175
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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EE - English edition
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  b. 85-87

No marks in A

14 staccato dots in FE (→EE) & GE2 (→GE3GE4)

Staccato in GE1

In the proofreading of FE1 Chopin added staccato dots for the L.H. in the 2nd halves in bars 85-86 and in the 1st half of bar 87. Moreover, he added dots also in the R.H. in the 2nd half of bar 85. According to us, it is the gap in the indications of the R.H. that could have drawn Chopin's attention, who noticed some defects also in the L.H. near this place (similarly in bars 89-90). GE1 overlooked dots next to the 4th note from the end and the last note in the L.H. in bars 85-86. Cf. bars 69 and 70-71

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Inaccuracies in GE, Authentic corrections of FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: EE1, EE2