Page: 
Source: 
p. 2, b. 18-33
p. 1, b. 1-17
p. 2, b. 18-33
p. 3, b. 34-52
p. 4, b. 53-68
p. 5, b. 69-88
p. 6, b. 89-108
p. 7, b. 109-124
p. 8, b. 125-139
p. 9, b. 140-159
p. 10, b. 160-175
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Graphic ambiguousness
Interpretations within context
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 20

Slur in A

No slur in FE

Slur in GE i EE

The absence of the R.H. slurs in FE (except for the first, under the semiquavers) is most probably a side effect of changes to the layout of the R.H. part. These changes, introduced in print, comprised all instances of this bar (bars 20, 68 and 124), but a slur over the upper voice, which probably should have appeared each time, is only printed in bar 124, owing to the engraver's negligence or Chopin's inadvertence. In the editors opinion the slur was meant to replace the slur in the lower voice, written in A. In GE and EE the slur over the upper voice was also reproduced in bars 20 and 68 (in GE Chopin's inspiration cannot be excluded). Cf. note regarding the L.H. part.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, Inaccuracies in FE, GE revisions, Authentic corrections of FE

notation: Slurs