Page: 
Source: 
p. 1, b. 1-17
p. 1, b. 1-17
p. 2, b. 18-33
p. 3, b. 34-52
p. 4, b. 53-68
p. 5, b. 69-88
p. 6, b. 89-108
p. 7, b. 109-124
p. 8, b. 125-139
p. 9, b. 140-159
p. 10, b. 160-175
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 13-14

Triads in A

Dyads in FE (→EE)

Triad and dyad in GE

The original version of A was changed by Chopin in the proofreading of FE1 (→EE), which, as the composer's latest decision, we include in the main text. GE included only the change in bar 14, which can point to a two-stage proofreading of FE1 – deletion of b on the 6th quaver in bar 13 could have been introduced in the last phase of proofreading, already after having sent the copy to the German editor. According to us, it is, however, more likely that GE arbitrarily added this note by analogy to bar 14, which, except for this detail, does not differ from bar 13 at all. Similarly in all repetitions of these bars – bars 61-62, 117-118 and 165-166. 

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: GE revisions, Authentic corrections of FE

notation: Pitch