Page: 
Source: 
p. 1, b. 1-17
p. 1, b. 1-17
p. 2, b. 18-33
p. 3, b. 34-52
p. 4, b. 53-68
p. 5, b. 69-88
p. 6, b. 89-108
p. 7, b. 109-124
p. 8, b. 125-139
p. 9, b. 140-159
p. 10, b. 160-175
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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EE - English edition
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EE2 - Revised impression of EE1
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  b. 10

d2 & d3 in A (→FEEE)

d2 & d3 in GE

Before the 8th note of the passage A (→FEEE) includes a  (d2). Chopin did not make any changes in any of the three preserved pupil's copies, hence we give this most certain version, as far as the sources are concerned, as the main one. GE includes a  before the 8th and 15th note of the passage (d2 and d3). A possibility of the change having been introduced by Chopin is indicated by the testimony of Mikuli (supported by RC), who in his edition of Polonaises (Kistner, Leipzig) states that at the time of Ms. Rubio learning this piece, Chopin added  next to d2 and d3. We bring up this version as a variant.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Annotations in teaching copies, GE revisions, Cautionary accidentals

notation: Pitch