Page: 
Source: 
p. 4, b. 21-38
p. 1
p. 2
p. 3, b. 1-20
p. 4, b. 21-38
p. 5, b. 39-73
p. 6, b. 74-89
p. 7, b. 90-114
p. 8, b. 115-175
A - Autograph
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Graphic ambiguousness
Interpretations within context
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Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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Important
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copy link PDF A - Autograph

Original in: The Pierpont Morgan Library, New York


  b. 38

A has no accidentals next to the first quaver on the 3rd beat. However, Chopin put  before the upper note (c) of the last L.H. semiquaver. As in the previous bar this is a mistake, corrected partly or completely in all the editions:

  • FE moved  from the last L.H. semiquaver to the quaver on the 3rd beat;
  • GE and EE also added naturals to the R.H. octave.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, GE revisions, Omission of current key accidentals, Errors of A, FE revisions

notation: Pitch

Missing markers on sources: A, FEJ, EE1, EE2