Page: 
Source: 
p. 4, b. 21-38
p. 1
p. 2
p. 3, b. 1-20
p. 4, b. 21-38
p. 5, b. 39-73
p. 6, b. 74-89
p. 7, b. 90-114
p. 8, b. 115-175
A - Autograph
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
Importance
All
Important
Main
Prezentacja
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copy link PDF A - Autograph


  b. 30

In FE1 there is no  next to b2. Moreover, A (→FE1GE1) has no  before the first e1 in the L.H. It seems even that in A Chopin cancelled that sign probably considering valid the earlier  in the R.H. Remaining editions have these inaccuracies corrected.

In the main text we omit the superfluous  added in FE (→GE1GE2) next to the last in the bar.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves, Cautionary accidentals

notation: Pitch