Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 26 No 2, Polonaise in E♭ minor
Page:
Source:
p. 3, b. 1-20
p. 1
p. 2
p. 3, b. 1-20
p. 4, b. 21-38
p. 5, b. 39-73
p. 6, b. 74-89
p. 7, b. 90-114
p. 8, b. 115-175
A - Autograph
Main text
A
- Autograph
FE
- French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE
- German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE
- English edition
EE1 - First English edition
EE2 - Revised impression of EE1
Select notes:
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A
- Autograph
FE
- French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz Copy
FED - Dubois Copy
FES - Stirling Copy
GE
- German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Revised impression of GE3
EE
- English edition
EE1 - First English edition
EE2 - Revised impression of EE1
Importance
All
Important
Main
A (→FE→EE1) has no 
rising g
1 to g1 on 4th L.H. quaver. The obvious oversight was corrected in GE and EE2. Similarly in bars 63, 119 and 167.
Compare the passage in the sources»
category imprint: Interpretations within context; Differences between sources
issues: Accidentals in different octaves
notation: Pitch