Issues : Authentic corrections of FE
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b. 79-80
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In the main text we give the longer slur, with which Chopin replaced the staccato dots and the shorter slur in A. He introduced similar changes in almost all analogous places. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 81-82
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In the proofreading of FE1 Chopin added staccato dots in the L.H. in the 2nd half in bar 81 and the 1st half in bar 82. Cf. bars 69 and 70-71. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 83
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In the proofreading of FE1 Chopin removed staccato dots (or portato – the dots were written under the slur), written in A in the part of the R.H. in the 2nd half of bar 83. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 84-85
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In A one can see traces of changes in the way of combining bars 84-85 – initially bar 84 ended with a quaver and a rest, as in bar 76. Chopin then deleted the quaver flags and rests (in both hands) and extended the slur. The changes were introduced in the proofreading of FE1 – adding f category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Authentic corrections of FE |
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b. 84
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The pedalling was added during the proofreading of FE1, certainly by Chopin. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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