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Issues : Authentic corrections of FE
b. 72
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The additional c category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 75-76
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The second half of bar 75 and the 1st quaver in bar 76 are provided with staccato dots in the part of the R.H. in A. Chopin removed them in the proofreading of FE1 – see the next note. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 75-76
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In the main text we give the longer slur, with which Chopin replaced staccato dots and the shorter slur of A in the proofreading of FE1. He introduced similar changes in almost all analogous places. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 76
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composition: Op. 26 No 2, Polonaise in E♭ minor
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We removed superfluous sharps (cautionary?) placed in A next to a in bar 76 and a category imprint: Differences between sources issues: Authentic corrections of FE , Last key signature sign |
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b. 79-80
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The entire 2nd half of bar 79 and the 1st quaver in bar 80 (in the parts of both hands) and the next two semiquavers in the L.H. are provided with staccato dots in A. Chopin removed them in the proofreading of FE1 – see the next note. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |